Wim Botha's artwork "commune: onomatopoeia" is part of a trilogy that delves into the themes of icons and Afrikanerdom. The installation is intricate and reflects Botha's broader artistic approach, where he blends official symbols to create visually captivating sculptures. Known for carving subjects from texts, Botha merges content with form, transforming materials into installations that are rich in references.

The trilogy also includes "commune: suspension of disbelief," which employs unconventional materials like Bibles, and "commune: fusion/fission/dissipation," both of which continue to explore themes related to Afrikanerdom and iconography. Botha's work often contains elements of humor and irony, challenging norms and conventional artistic practices. His deliberate approach invites viewers to reconsider established narratives and symbols, prompting reflection on cultural and historical identities.

Through this trilogy, Botha engages in a nuanced exploration of how icons and symbols function within society, particularly within the context of Afrikaner heritage. His installations are not only visually striking but also intellectually engaging, encouraging a deeper understanding of the complexities and contradictions inherent in cultural symbols.

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