Installation
Positioned in the "History & Identity" section of the exhibition, this installation artwork addresses the potential blind spots in historical narratives. The artist's exploration of history's impact on identity could lead to a thought-provoking experience for viewers.
The artwork "History has an Aspect of Oversight in the Process of Progressive Blindness" by Andries Botha, created in 1988, is a complex and thought-provoking three-dimensional installation. Constructed from various materials including rubber, steel, wood, and wax, the piece features an array of elements such as chairs covered with cowhide, a rotating device, a display cabinet, wax curio portrait busts, and ash building blocks. This multifaceted composition creates a narrative that extends beyond traditional visual storytelling, engaging the viewer's imagination and prompting a deeper contemplation of history and perception.
Botha's work delves into profound themes such as flawed humanity, hidden truths, and the intricate complexity of history. The installation does not present history as a singular, objective narrative but rather emphasizes the subjective nature of perception and the critical moment of observation as sources of truth. By doing so, Botha portrays history as a collection of individual interpretations, each contributing to a broader, more nuanced understanding.
This piece aligns with Botha's broader artistic focus on exploring emotional and historical narratives that shape both his identity and the South African landscape. Themes such as power, helplessness, gender, violence, migration, identity, and the environment frequently surface in his works, reflecting on the dual aspects of humanity's grace and trauma. Through this installation, Botha invites viewers to reflect on the complexities of historical narratives and the subjective nature of truth, encouraging a more critical engagement with the past and its representation.