The sculpture "Adam and the Birth of Eve" by Jackson Hlungwani is a profound artwork that challenges traditional narratives and offers a transformative perspective on humanity's origin. Created between 1985 and 1989, this elongated wood sculpture, measuring 404 x 142 x 87 cm, is displayed at the Norval Foundation. The piece portrays Eve as a Goddess and heroine, alongside Adam, Cain, and Abel, thus challenging the conventional separation in the biblical story. It suggests that the divine wood and ancestral legacy might be calling for reconciliation, symbolizing a potential perfect world and inspiring belief in its achievability.

In the sculpture, Eve is depicted holding an egg and a sphere, symbolizing gentleness and the 'evil' apple. However, the interpretation of the apple as the birth of free choice shifts its meaning from evil to the origin of humanity. This choice represents Eve's decision to embrace humanity rather than remain a puppet of God, thus shaping our world. The title "Adam and the Birth of Eve" emphasizes this new perspective on humanity's origin, focusing on the prevention of evil through the knowledge of good and evil rather than simply dealing with it.

Hlungwani's art is deeply rooted in his spiritual beliefs, merging Tsonga heritage with Christianity. His works often emphasize the role of free will and universal truths, aiming to inspire sincere expression for change. His art is recognized for its healing properties and its capacity to represent the human essence, even amidst challenges. Through this sculpture, Hlungwani invites viewers to reconsider traditional narratives and explore new interpretations of humanity's beginnings.