Hicham Benohoud, a Moroccan artist, employs photography and installation art to explore themes of identity, displacement, and the human condition within the context of Moroccan society. His work, often characterized by its conceptual rigor and the use of unsettling tableaux, delves into the complexities of cultural and social constraints.

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One of his notable series, "La Salle de Classe," transcends traditional portraiture by placing schoolchildren in bizarre and unconventional poses within their classroom environments. This not only breaks the monotony of everyday life but also critiques the rigid structures of education and societal expectations in Morocco. Benohoud's approach to art is both introspective and outward-looking, encouraging viewers to question their perceptions of normalcy and conformity.

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In another series, Benohoud continues to push boundaries by incorporating elements of performance into his photography, capturing moments that blur the lines between reality and fiction. His works are a testimony to the power of visual storytelling, weaving narratives that are at once personal and universal.

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Hicham Benohoud's exhibitions have been significant in bringing Moroccan contemporary art to a broader audience, highlighting issues of identity, tradition, and the impact of socio-cultural frameworks on individual expression. Through his art, Benohoud invites us to reflect on the ways in which our environments shape us and how we, in turn, navigate and challenge these spaces.

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