"Turbo Charger" by Abu Bakarr Mansaray is a thought-provoking artwork that was featured in Simon Njami's Africa Remix exhibition. Abu Bakarr Mansaray, born in 1970 in Sierra Leone, is known for his inventive and unique approach to art, blending wire and iron artistry with futuristic concepts.Mansaray's journey as an artist is influenced by his response to Sierra Leone's civil war. Self-taught in science and engineering, he settled in Freetown and began merging intricate wire and iron designs with imaginative futuristic ideas. "Turbo Charger" is part of his broader collection of drawings, paintings, and machine designs that explore themes of fire, light, and more.His preparatory drawings, characterized by meticulous annotations and calculations, stand as individual artworks, showcasing his blending of artistic creativity with scientific precision. His creations, which include "Turbo Charger," often intertwine complex scientific concepts with imaginative artistic expression."Turbo Charger" and his other pieces are featured in the Contemporary African Art Collection, where they stand as powerful representations of his ability to infuse his work with deep meaning and innovative design. His machines, including the "Hell Extinguisher" and "Nuclear Telephone Discovered in Hell," reflect his ability to reimagine technology in a futuristic and thought-provoking way.Despite relocating to the Netherlands in 1998, Mansaray's work continues to be a poignant reminder of the ravages of war and the resilience of the human spirit. Through his art, he not only addresses the impact of conflict but also invites viewers to engage with complex scientific ideas and their potential implications for the future. Mansaray's creations, characterized by their inventiveness and unique perspective, stand as a testament to his ability to transform materials and concepts into powerful artistic statements[[2](https://artsandculture.google.com/story/kwVBh9WTylEwLg)][[3](https://www.contempora